Anna. 19. Minnesota. Desultory. INFP.
Install Theme

getyourassbeat:

opens window curtains, takes 50 selfies in natural light, closes window curtains

(via astrolabe-and-carousel)

becomebraver:

I HAVE FOUND THE CUTEST THING ON THE INTERNET

becomebraver:

I HAVE FOUND THE CUTEST THING ON THE INTERNET

(via losssstlover)

grimmromance:

what i mean when i say “i can’t do that” - the depression edition

  • i am unable to do that 
  • i don’t have the energy to do that
  • i cannot wrap my head around what you’re asking me to do
  • there is too much in my head right now
  • i can not do that 

what people hear: 

  • i am unwilling to do that
  • i am being stubborn for no reason
  • i am being dramatic
  • i am lazy
  • i need you to repeat that only louder
  • i need a push
  • i don’t want to do that 

(via stablevertigo)

nosdrinker:

is this a threat

nosdrinker:

is this a threat

(via ladymyfanwy)

I need a holiday. A very long holiday. And I don’t expect I shall return. In fact I mean not to.

— The Lord of the Rings: The Fellowship of the Ring (via winterkristall)

(Source: splitterherzen, via striped-cherry)

aaamie:

Everyone meet Delilah. 

(via ladymyfanwy)

buckyoubucky:

"A new study shows that men are threatened by confident women taking pictures of themselves, and call these women stupid, socially inept, and ugly. In other news, the world is round, the sky is blue, and the patriarchy is still shitty."

buckyoubucky:

"A new study shows that men are threatened by confident women taking pictures of themselves, and call these women stupid, socially inept, and ugly. In other news, the world is round, the sky is blue, and the patriarchy is still shitty."

(Source: lady-dixon, via ladymyfanwy)

(via joshr-ss)

(Source: maria-alice-121, via ilytbh)

Five minutes are enough to dream a whole life, that is how relative time is.

— Mario Benedetti (via observando)

threedot:

La Défense, Paris, France 2010

threedot:

La Défense, Paris, France 2010

(Source: alex-maclean, via ofthemidwest)

myampgoesto11:

Kelly Richardson: Orion Tide

2013-2014 | Dual/Single channel HD video installation, 32′ x 9′/16′ x 9′ (variable) with audio

Drawing from the aesthetics of sci-fi films and dystopian stories, Orion Tide presents a Roswell-esque desert with spurts of light and smoke repeatedly taking off into the dark night sky. As a part of CONTACT festival 2013, Orion Tide rests somewhere in the territory between science fiction and biblical wraths. By uniting the cataclysmic commonalities that both worlds share, Richardson created an apocalyptically sublime space in which all ideals dissolve and a universal transition is made for whatever may come next. Be it rapture or evacuation, the solution of departure is immensely satisfying to witness. Self-destructive yet soothing, Richardson convinces her audiences that however bleak, a conclusive end possesses great beauty.

In keeping with Richardson’s practice, Orion Tide questions the fine line between truth and fiction by challenging our ability to assess the integrity of images. Hinging on the fringes of reality and fantasy, the schematics of Orion Tide seem entirely plausible for today’s world. The work’s lack of specificity and ability to conjure the familiar poses an array of questions. Simultaneously convincing yet synthetic, the balanced ambiguity of the scene could be a peaceful ascent towards the heavens, a forced migration, or an exploratory venture towards the unknown. Ultimately, Richardson does not grant us any definitive answers, forcing her audiences to consider the “evocative power of the imagination” and the blurring line between what is possible and impossible. Through a carefully calculated application of digital effects and documentary footage, Richardson questions the credibility of what we see and our increasingly mediated doors of perception.

Shellie Zhang, Art Toronto review

My Amp Goes To 11Twitter | Instagram

(Source: m0rtality, via ondin-a)